Key & Peele = Masculinity > Race

A Farewell to “Key & Peele” from the K&P showrunner in The New Yorker.

If people talked or wrote about the show, it was usually with a focus on race. Personally, I’ve always thought our primary subject matter was masculinity: what it means to be a man, what we can and can’t say. The scared husbands whispering “Bitch,” the vain slaves on the auction block, the hit man crapping his pants, Lil Wayne rapping in the cellblock, the two businessmen competing to eat the most disgusting soul food—they’re all fronting, trying desperately to be braver, cooler, smarter, and stronger than they really are. Fronting continued to be our meat and potatoes for the next four seasons.

That Soul Food sketch may still be my fave:

He also mentions they typically wrote five times as many sketches as they needed. Then "a process of mercilessly winnowing down the material: cutting sketches, rewriting the ones that survived, and, later, editing each scene until we felt that what remained was the essence of what had intrigued us in the first place. And, of course, the dick jokes."

No comments:

Moving on/Subscribe to my newsletter

I only post on rare occasions here now. Subscribe to my Rubesletter  (it's at  mattruby.substack.com ) to get jokes, videos, essays, etc...