The problem with fitting in

Was thinking about that "When Standup Stood Out" movie recently. In it, all the Boston comics were jealous of the breakout success of Steven Wright and Bobcat Goldthwait.

But when you look back, the distinctiveness of their acts set them miles apart from the rest of the pack. All the other guys blurred into a faceless mob of angry, Irish, working class dudes who tell the same kind of jokes. (Imagine the guys who work the docks in season two of The Wire, just Irish instead of Polish and comics instead of dock workers.) No wonder Carson's booker went for the weirdos instead.

More evidence why it's good to develop a unique voice — that includes material, delivery, look, etc. — that stands out from the pack. If you fit in seamlessly with all the other comics in your crew, you're just a face in the crowd.

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